Archive by Category "formal"

formal

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Culture and Starters: S.E. Nash’s Cultural Inquiry Through Fermentation
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Essays formal Issue 4: YET UNKNOWN co-edited by Lynnette Miranda
Zoe Chressanthis’ Utopian World
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Essays formal
Tactile Rituals and Feminine Power in The Work of Shelby Burchett
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Essays Issue 4: YET UNKNOWN co-edited by Lynnette Miranda
Hidden Metaphors of the (Clay) Body in the work of Kimberly LaVonne
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Essays formal Issue 4: YET UNKNOWN co-edited by Lynnette Miranda
Planning For A Future That We’ve Already Seen: Mark Raymer Constructs Dystopian D.I.Y. Narratives
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Essays formal Issue 4: YET UNKNOWN co-edited by Lynnette Miranda
Uncanny Chaos Under Control at Postmasters Gallery
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formal Issue 3: Julia Monte's View From NYC Long Reviews
E S S A Y 2 / 6 : Who Should Play the Flute, or, Who Should Play the Flute?
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Essays formal
A Material Memoir: Gerry Trilling’s Narrative Atlas
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formal Long Reviews
Questioning Signs of Authority With Oli Watt
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formal Short Reviews
E S S A Y 1 / 6 : Line in Muck.
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Essays formal

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  • Etta Sandry looks at the culture of cultures through thehellip
  • Open Access Banner by Carmen Papalia charlottestreetfoundations show Care Ahellip
  • Take a look at this essay interview by Kimihellip
  • Julia Monts view from NYC review 2 is up nowhellip
  • Kimberly LaVonnes conversation with Gisela Morales centers around the metaphysicalhellip
  • Anna Harsanyi reflects on Shelby Burchetts use of magick andhellip
  • A new essay by Katie Hargrave on fictional futures inhellip
  • Who Should Play the Flute or Who Should Play thehellip
  • Annie Woodfill vulpesbastille
  • Archive Collective frontspace !! archivecollective

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