Peregrine Honig, working with pattern designer Laura Treas, is forming a new line and store All is Fair in Love and Wear, a brand comprising binders, packers, tuckers and cinchers that allow the wearer to transform their body’s original shape.

Earlier this summer I visited Jonah Criswell’s studio in downtown Kansas City before work was shipped out for his upcoming exhibition, Fernweh, at ReTramp Gallery in Berlin.

I recently started a conversation with Megan Mantia and Leone Anne Reeves to talk about their immersive performance practices as Blanket Undercover, and their most recent performance series The Year of Dreams. Known for their unique costuming and travel locations, their work has led them to make discoveries about fringe subcultures.

Hotel art isn’t usually considered a part of the larger contemporary art dialogue, but in downtown Kansas City the Hotel Phillips is host to an artist-in-residence program.

I recently had the opportunity to chat with James Woodfill via email about his latest

exhibition at City Ice Arts, The Outside of the Left Side of the Inside.

Recently I sat down with two members of the soon-to-be-built West Bottoms gallery, 50/50.

As a recent designer for the West 18th St. Fashion Show and a recent graduate of the Kansas City Art Institute, Emily Kenyon has had quite a bit going on these past few months.

Currently on view at the Paragraph Gallery as a part of Charlotte Street and Urban Culture Project’s programming is Perma-F(r)ail: Personae Documents an exhibition featuring the work of Alien Moon Partnership, Robert Chamberlin, Jesse Darling, Bug Davidson, Dell Hamilton, Sarah Hill, Hisaya Ishill, Leonor Jurado Laspina, Haley Kattner Allen, Judith Levy, Nabeela Vega, Maggie Cavallo/ YUNG ZILLA, David Wayne Reed, Eduardo Restrepo, David Richmond, Leah Silvieus, Joanna Tam, Bradley Tsalyuk, and (Wo)manorial. This exhibition was curated by Charlotte Street Studio Resident, Jessica Borusky.